Swearing in Books

I had an e-mail this morning from a reader who said he was a big fan of my books, which was nice of course. But he also pointed out that the characters in the Death Force series used the word ‘sodding’ all the time, and it got a bit repetitive.

He’s right, of course. They do, and it is.

There is a reason, however. They are soldiers. In real life it would be fu%£kig this and f!c£king that. And for some reason, I don’t think swearing works very well in books. I don’t have anything against it in real life, and it can work fine in films, but I print it somehow falls flat.

So I use sodding instead.

But maybe that doesn’t quite work either? 

Writing On Trains...

by Matt Lynn

I seem to have been on a lot of trains recently, which may help explain why I haven't had much time to blog recently. I went to Scotland to promote the Death Force books, and my book on the euro crisis is coming out in Germany soon, so I went there to help promote that. I don't really like flying very much, so in both cases I got the train.

It's a pleasant way to travel, although rather unexpectedly the German train broke down somewhere between Brussels and the border, which meant I had to get a bus the rest of the way to Cologne. Still, it's not as if planes don't get delayed all the time...and when a plane breaks down, it has a tendency to drop out of the sky.

But the best thing about trains is that they give you a chance to write.

I can write pretty well most places. I know some writers like to be in the same place all the time, but I'm quite happy to write in a cafe, or at home, or on a hotel balcony.

Overall, however, I think trains are my favourite.

There is something about the steady motion that aids the creative process. Looking out of the window creates a sense of the world going by, of events unfolding, which makes it very easy to create a similar sense of movement on the page. You can can pause, look out of the window for a while, then crack on with the next sentence. It is just the right amount of distraction. Not too little, but not too much either.

I suspect if I bought a euro-rail ticket and spent six months writing my next book on trains the effect would wear off.

But I got a lot of work done on those two trips.

Creative Writing

Can Creative Writing be taught? The question has been knocking around in the public arena ever since the University of East Anglia set up its course, with such brilliant alumni as Ian McEwan and Kazuo Ishiguro, and no doubt the question was debated in a quieter way long before that.
It does sound like a contradiction. Creativity is personal; it can be inspired (think Mozart, Shakespeare) a connection with the subconscious on a deep level, an outpouring of... of... heck, I'm finding it hard to define 'creativity'.
Yet here I am, agreeing to teach Creative Writing for a week in France - something I can't explain or describe. Before I put anyone off joining us for a week in France at a wonderful venue with fantastic food and local wines, I should add that this won't be my first venture into teaching Creative Writing. I run successful workshops for the Society of Authors, at Get Writing hosted by the University of Herts, and for a few smaller outfits. So far the experience has proved challenging and great fun.
The name 'Creative Writing' is useful as a label because everyone has a clear idea of what Creative Writing is. Nevertheless the title is somewhat misleading because creativity isn't a skill that can be acquired through training or learning of formulae, although it can be nurtured and facilitated.
What then is the value of Creative Writing classes? The answer is that for most of us it takes more than creativity to turn ideas into a book. Character building, plot development, structure, pace, tension - all the essential elements that make up an engaging narrative, all these are skills that can be acquired and honed, and this craft of writing can be taught.
Perhaps ‘Creative Writing Classes’ is a bit of a misnomer. But ‘Crafty Writing Classes’ doesn’t have quite the same ring, does it?

Posted by Leigh Russell
DEAD END is now out in bookshops and on amazon
Creative Writing in France http://tinyurl.com/CreativeWritingClass