ROAD CLOSED has been reviewed in Star magazine: "DI Geraldine Steel has a tough case on her hands after a series of nasty incidents. On top of the deadly events, Geraldine has a complicated love life to sort out. Leigh Russell's crime thriller is a gritty page-turner from the start and features a host of unappealing characters!" It's the issue with Katie Price on the front cover. Does that narrow it down? No? How about if I tell you she's quoted as telling Pete to "Stop trying to ruin my life!" Still not clear which issue I'm talking about? Oh, never mind. My point is that ROAD CLOSED is reviewed in the magazine. Does this mean I'm a celebrity?
Having sold out in just one week in January, amazon.com ordered 500 copies of CUT SHORT. I should be pleased... but you're getting to know me and my 'What if' questions. So despite all the great reviews this week (links on my earlier post) I started wondering... what happens if no one else buys it? Then I read this lovely comment on my blog (http://leighrussell.blogspot.com/) "In all honesty, even as a woman myself, I have never been a follower of women writing crime. They never seem to go for the jugular, and always hold back. That was until I heard crime writer Sam Millar praising the hell out of this debut novel, Cut Short. I immediately bought it on Amazon, and was delighted with it. Really great writing, and terrific story. Can’t wait until your new book hits the shelves." I know some authors are only interested in sales of 1,000s, but I'm still genuinely thrilled when one person enjoys CUT SHORT. I don't think that will ever change.
Matt Lynn asks, should authors remain obscure. Just as there are celebrities who become writers so there are authors who gain celebrity status. Is this a good idea?
A book, like any other creative work, must stand on its own merits. What difference if Melville hunted whales, or Robert Louis Stevenson sailed the seas with pirates. It may be helpfull, but it’s not necessary to experience something before writing about it. I, for one, have never killed anyone.
In this modern world authors need to promote sales of books. This is particularly so when writing for a smaller, independent publisher. CUT SHORT has not benefitted from the 3for2 tables in bookstores, or had a place bought for it on the bestseller lists. It has not been promoted on amazon’s home page or reviewed in the national press. Nevertheless, it has somehow received many excellent reviews and, mainly through word of mouth recommendation, has been reprinted twice in six months. It has sold out repeatedly on amazon, most recently within a week of amazon.com restocking.
CUT SHORT is out there, in the public domain where people can buy it, read it, and review it. I post links to reviews of CUT SHORT and blog and tweet every time it sells out. I blog about the vicissitudes of CUT SHORT, about the edits for ROAD CLOSED and the concept for DEAD END.
But my own life - dull and irrelevant as it is - my own life is private. And it's really not that interesting to anyone outside my family. (Members of my family are not to comment!)
At the risk of sounding like a gnat patting an elephant comfortingly on the back, I feel rather sorry for Dan Brown.
I have to come clean. I’ve only read one of his novels. Of the man himself, I know nothing. But it would be impossible to be unaware of Dan Brown the phenomenon. I wonder if he aspired to success on such an unprecedented scale, when he first put pen to paper. (Fingers to keypad doesn’t have quite the same ring, does it? When he first tapped the keys, perhaps.)
There has been some wittering about the delayed publication of his latest book. I’ve read that he dragged his heels finishing it, anxious about critical reaction. I’ve no idea if that’s true. I can only extrapolate from my own experience (as a gnat speculating about the feelings of an elephant).
So far a few thousand people have bought my first book, which launched just over two months ago. My publisher has just reprinted Cut Short (I’m a successful gnat!) and Road Closed, the next book in the series, is with my publisher, en route to the editor. After the fun of writing Road Closed, I’m nervous about the response of my publisher, my editor, and – most of all – the reaction of my readers.
I’m talking about a few thousand readers. The number is growing from a very few thousand to a fair few thousand. All those people have bought my book. An admiring teenager asked me today, ‘Do people recognise you on the street?’ I was sorry to disappoint her, but . . . no, of course not. I’m not a celebrity. In bookshops people are beginning to recognise me. As more people see my video on youtube a few more people may recognise me. A few thousand now, and perhaps a few more thousand by the end of the year. Perhaps not. It’s small scale and it’s fun. And, even on my small scale, a little nerve wracking.
The internet has had a huge effect on personal privacy. Millions of people know Dan Brown’s face, although they are strangers to him. That sounds uncomfortable to me. As for the idea of millions of people (did I see 40 milllion?) reading my book – I have a sneaking suspicion I’d find that a little unnerving. The thought that everyone I met would have an opinion about my writing would alter how other people perceived me, how I felt towards them, and towards myself. There’d be no getting away from it. I think it would change the way I wrote. I’d no longer be able to sit in cafes unnoticed, an invisible observer.
I’m a very ordinary person. I value my ordinary life. I love who I am. I love being an author. I’m not sure I’d enjoy being a phenomenon. And for Dan Brown, there’s no going back. I wish him luck – with more than a tad of envy for his success. I’d swap places with him on the bestseller list if I could, as a writer, but I’m not sure I’d change places with him as a person.
The Curzon Group is dedicated to taking the ideas, imagination and energy of thriller writers ranging from John Buchan to Eric Ambler, Hammond Innes to Ian Fleming, and Alistair MacLean to Len Deighton, and reviving them for the 21st Century.
“The tradition of thriller writing should never be allowed to die,” said Jeffrey Archer, when he advised us on the launch of this group. “Not least because we are better at it than anyone else in the world.”
About Us
The Curzon Group is a band of eight thriller writers who get together to have lunch, swap ideas, and come up with wheezes for promoting our books. Matt Lynn, Richard Jay Parker and Leigh Russell can all be found blogging here.
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